Mission


A LABORATORY FOR ACTOR TRAINING Experimental Theater Company (ALATetc) is a Brooklyn-based organization committed to creating and curating bold works for the stage, socially conscious performance projects and community-building events. ALATetc engages a fluid collective of artists and activists dedicated to developing young theater artists and new audiences by making theater that provokes dialogue and heightens our awareness of personal ethics.

Friday, December 11, 2009

ODIN IN NEW YORK

IN THE THROES OF THE THAW

CALLING ALL ACTORS, DIRECTORS, CHOREOGRAPHERS, DRAMATURGS, CLOWNS, and FELLOW SEEKERS

 

We are officially launching the New Year and a new era with:

Two explosive weeks of theater in New York City

with

world renowned performer & teacher Roberta Carreri of Odin Teatret, Denmark

 

A unique encounter with one of the world’s greatest theatre artists.

An extremely rare opportunity for incredible growth.

Register now.  Space is extremely limited.

 

WHAT IS THE WORKSHOP?

“Dance of Intentions,” a 5-day Intensive Master Workshop from 10:00 am to 4:00 pm with world renowned Master Teacher Roberta Carreri.

 

WHEN IS THE WORKSHOP?

January 4th - January 8th 2010

 

WHAT DOES THE WORKSHOP INCLUDE?

 

·       5-day training with Roberta Carreri of Odin Teatret

·       Maestra Carreri's performance demonstration "Traces in the Snow"

·       Five Nightly Laboratories January 4th - 8th Seminars in directing, vocal improvisation, emotions training, and montage led by ALATetc’s Joann Maria Yarrow, Neil David Seibel, Audrey Pernell, Ursula Neuerburg-Denzer, Seth Baumrin & Vernice P. Miller.

·       Cabaret Debauché & Cabaret Dénouement - Two performance opportunities for workshop participants

·       Rare film presentations from Odin Teatret’s archive

·       AND Soirée Debauchée, a high-glam New Year’s Eve celebration

 

Plus…

 

·       TRACES IN THE SNOW

January 9th: Roberta Carreri’s incredible Performance Demonstration.

In Traces in the Snow Ms. Carreri carries on a dialogue with the secrets which precede and follow the building of a character and the creation of a performance.

 

·       RED TENT FABRIK

January 3rd: Come and see a work-in-process performance piece exploring the common roots and rituals of the three Abrahamic religions: Judaism, Islam, and Christianity.

 

 

REGISTER NOW: Space is Limited to 14 actors and 10 observers

·       Full Fee $1625

·       Scholarships Available

·       Additional packages are available for those only interested in attending the nightly laboratories and performances.

 

 

Roberta Carreri (b.1953, Milan, Italy). Actor, teacher and organizer. She joined the Odin Teatret in 1974 during the group’s residency in Carpignano, Italy. A founding participant of ISTA (International School of Theatre Anthropology) since its beginning in 1980, she has come in contact with performing techniques from Japan, India, Bali and China, which have influenced her work both as actress and pedagogue. From 1980 to 1986 she worked with Japanese masters Katsuko Azuma (Nihon Buyo dancer), Natsu Nakajima and Kazuo Ohno (Butoh dancers). Ms. Carreri gives workshops for actors all over the world and presents, as a work demonstration, her professional autobiography Traces in the Snow. She organizes and leads the annual international workshop Odin Week in Holstebro, Denmark and abroad. Her professional experiences are presented in The Actor’s Way, edited by Erik Exe Christoffersen. She recently wrote the book Tracce (Edizioni Il Principe Costante, Milano, 2007), about her training, her pedagogy and her story as an actress of Odin Teatret.

 

Performances: The Book of Dances, Come! And the Day will be Ours, Anabasis, The Million, Brecht's Ashes, The Gospel According to Oxyrhincus, Judith, Kaosmos, Inside the Skeleton of the Whale, Ode to Progress, Mythos, Salt, Great Cities under the Moon, Andersen’s Dream, Don Giovanni all'Inferno, Ur-Hamlet

Performance Demonstrations: Traces in the Snow, Whispering Winds, Dialogue between two Actors, Letter to the Wind 

 

 

 

“Rivers in extremely cold climates freeze over in winter. In the spring when they thaw the sound of ice cracking is an incredibly violent sound. The more extensive and severe the freeze, the more thunderous the thaw. Yet, at the end of the cracking, breaking, violent period, the river is open, life-giving, life-carrying. No one says, ‘let’s not suffer the thaw…’” – Mary E. Membane

 


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